The man, the films, those blondes. Free DVD collection starting this Sunday
Sunday September 7, 2008
From bamboozling the Nazis to fooling the Taleban, nobody lies better than those famous stiff upper lips
The alleged plot to kill Barack Obama fits a dramatic pattern that began at a theatre 140 years ago
Bletchley Park worked because of two great British traits - our secrecy and eccentricity
As real-life creatures face extinction, mankind is fascinated by the possibility of imaginary ones
The reality of Stalag Luft III was far grimmer than the romanticised derring- depicted in postwar movies
The Victorians, like us, were fascinated by logical deduction and a suspicion of the neighbours
How absent parents were crucial in shaping the characters of both Obama and his Republican presidential rival
Ever since the invention of the British postcard in 1894, holidaymakers have been struggling to find the perfect message
It's pointless trying to work out who owns ancient art objects. We need to share them around the world
What made the band great was their lyrics, whether about the Mexican Revolution or money being funny
The waxwork Hitler in Berlin is the latest proof of Germany’s determination to come to terms with a gruesome history
SOS is simply the shortest, simplest three-letter arrangement in Morse code: three dots, three dashes and three more dots
Tyrants may try to ban it, but humour has a way of seeping through the cracks of any dictatorship
Mercenaries make fine fiction. But in real life they are almost always doomed to failure
Scotland's traditions may well be a fiction. But they are better than England's
Like old soldiers, the Name Trees of Normandy and their wartime carvings should have been left to fade away
There is nothing in popular culture that can quite compare, for passionate enthusiasm, with the fans of Bond, James Bond
Publishers give us plenty of clues to a title’s target audience; we don’t need read-by dates as well
Snobbery towards the art nouveaux riches is absurd. The rich have always bought up art

Ben Macintyre is Writer at Large for The Times and contributes a regular Friday column. His earlier roles at The Times include being editor of the Weekend Review, parliamentary sketchwriter and bureau chief in Washington and Paris. He has also published a number of historical non-fiction books
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